• OH how i loathe SHRINK WRAP

    OH how i loathe SHRINK WRAP

    Why why why was shrink wrapped invented! it sucks! Here is CARRY ILLINOIS's new album being undone by Lizzy and her fiance (how you got talked into it i dont know!)

    I think shrink wrap should only be used for sending a band in the mail ... you?



    Seattle singer/songwriter Devin Sinha, originally from the Midwest, taught himself to play music in high school by dabbling on piano and eventually teaching himself guitar. He recently released his sophomore LP, The Seventh Season. Album track “Lone Elm Road” rocks hard with upbeat country twang and fluid vocals that could turn your heart to mush. We are proud to premiere the song today on magnetmagazine.com. Download it below.

    “Lone Elm Road” (download):

    This entry was posted in FREE MP3s. Bookmark the permalink. Both comments and trackbacks are currently closed.
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    The first of those annual freebies we all look forward to every year has arrived!  The 7th installment of XO Publicity's "XO For The Holidays" series has been posted.  It should be noted, here, that I love to jump the gun and XO has been known to add songs and tinker around a bit after the initial posting.  Right now, the "download album" button isn't working (so you have to download the songs individually) and I'm not sure they've tagged everything the way they want it, yet.  That said, if you're making the final adjustments to your annual mixes, you're going to want to grab these at the earliest.

    This year's playlist (thus far) is short--just 6 tracks--but given the awesomeness of every track, I can't say I mind.

    Starting the set is a cover of Low's "Just Like Christmas" from Pat Kearns of Blue Skies for Black Hearts.  That song just sounds so good, no matter who is singing it, and Pat gives it a fine Indie Pop swing with subtle hints of Folk.  Then things get heavy with Magnuson's Progressive Rock bordering-on-Metal reading of "God Rest Ye Merry Gentlemen".  Plenty of distortion and guitar shredding make this one a fine anthem for your annual Christmas parties.  Hard to believe there are only two people raising all this fine racket.  Alejandra O'Leary steps up next with "Christmas (Baby, Please Come Home)".  Alejandra shows you how Indie Rock should sound and how the Spector anthem should be righteously covered in the 21st century.  Stick around through the credits--nice ending here.

    The tempo and mood turn on a dime when Hawks Do Not Share take center stage, next.  A lovely bit of folktronic shoegaze, "Christmas Eve, Montmartre" appears on the band's latest album, "HDNS".  It's the sort of thing that seduces you.  "Mix me.  You know you want to."

    It would be difficult to overstate my infatuation with Piney Gir.  She's pretty much a regular on the XO sets and, this year, she does not disappoint.  When Indie Pop meets Piney Gir meets Exotica, well...this one is gonna spoil you; you're never going to be satisfied with any other rendition of "Christmas Island" ever again.  "XO For The Holidays VII" closes with one of the best Psych Punk tracks you'll ever hear, "Got Gratitude" by The Love Dimension.  And, OK, so the song's originally from 2011 (re-recorded earlier this year) and its not a Christmas track, per se.  I don't care.  This is what would happen if you locked the Doors and the Blues Magoos in a small room overnight with nothing but gallons of espresso.  And that's something everybody should experience.

    So there you have it.  "XO For The Holidays VII".  Grab it free.  Collect the whole set--all 7 volumes.  Thank youXO Publicity.  You make the season bright.
  • Devin Sinha, The Seventh Season OUT TODAY!!

    Devin Sinha, The Seventh Season (Self-released)

    Seattle-area singer-songwriter Devin Sinha shifts things up on his second self-released album, adding percussion, electric instrumentation and layered vocals to his acoustic guitar-based, contemporary folk-rock, conjuring a sound equally reminiscent of Ryan Adams and Sufjan Stevens. The 11 songs on The Seventh Season go down easily, with Sinha’s surprisingly mature songs trading on a blend of heart-on-sleeve storytelling and poetic balladry, while his delicate fingerpicking work anchors such songs as “Winter Child,” “Orion” and “The Wolves.” ★★★✩✩

    - See more at: http://vegasseven.com/2014/11/11/album-reviews-rancid-sun-gods-gamma-rays-devin-sinha/#sthash.o2IwfFOS.dpuf

  • Robert Bly Moore (Sterile Jets) on Mclusky Do Dallas

    It was somewhere around 2005 when I happened to be listening to a random alt-rock internet radio station. I recall hearing a song start off with a simple, heavy bass lick and snare; followed in succession by guitar squeals, distortion-soaked riffing, and finally, the shrill lyric, "My love is bigger than your love. We take more drugs than a touring funk band, sing it!" It was noisy, it was heavy, it was full of attitude. I was hooked within seconds.

    The song, "To Hell With Good Intentions," was from the albumMclusky Do Dallas. Once I heard the song, I was compelled to immediately buy the album, and I was blown away. It had an original sound—with driving, aggressive music and thoughtful, witty lyrics. It had so many qualities I find lacking in music I hear these days. It had passion.

    The album had been released a few years earlier, and by the time I discovered it, Mclusky—a noise trio from Cardiff, Wales—had already recorded one more album and, sadly, called it quits. As short-lived as they were, Mclusky left a legacy of unique and inspired music.

    The album was recorded by noise rock legend Steve Albini. Albini is famous for his own bands—Shellac, Rapeman, and Big Black—as well as recording many seminal alt-rock classics—including Nirvana's In Utero and Pixies' Surfer Rosa. Albini seems to have a way to help musicians express their true sound, stripping down all the production and filler. On Mclusky Do Dallas, the band sounds raw and so full of energy they might explode. With song titles like "Lightsabre Cocksucking Blues," "The World Loves Us and is Our Bitch," "Fuck This Band," and "Alan is a Cowboy Killer," Mclusky shows off a quirky wit that's peppered over the entire album.

    I also have to mention that the album is full of great hooks; I have to believe that in some better alternate reality, people in 2002 listened to this instead of bands like Nickelback, Linkin Park, or Jimmy Eat World. I'd be willing to bet the alternate 2014 has better music as a result.

    When you distill it down, this album is a collection of catchy, irreverent songs from a very powerful power trio. They have been a big influence on my band, as well as many other musicans I know. Sadly, they're not around anymore, although guitarist/vocalist Andy Falkous' current band, Future of the Left, continues the great musical tradition he set down on Mclusky Do Dallas. You owe it to yourself to check this out, it may very well be the best album you've never heard of.

  • ROCKET 3 "BURN" out today!

    I’m all for complexity, shades of grey, and layers of nuance, but sometimes I enjoy finding a band that wears its influences so obviously. I feel it’s refreshing and honest in an industry that likes to obfuscate and create intrigue that really isn’t there. It allows the group to play music that interests them in hopes they can take those influences and do something interesting with them. Granted, many of these groups come across as hackneyed cover acts, but every once in a while, something of worth will emerge from the morass with something to say.

    And I think Rocket 3 could be such a band. Calling Portland, OR home, this trio delivers a punchy, peppy brand of rock music that blends equal portions ‘60s girl group sweetness, ‘90s jangle-pop goodness, and ‘10s retro garage rock sensibilities. The impact of Dum Dum Girls, Veruca Salt, The Fastbacks, and The Sundays can be felt throughout Burn, as this 13-song record alternately buzzes, coos, and swaggers depending upon its mood.

    Even with that description, the record isn’t at all schizophrenic, as Ramune Nagisetty (guitars & vocals), Drew Anymouse (drums), and Tony Guzman (bass) manage to hold the sounds firmly in the collective palm of their hands. Ramune has a delightful, airy voice that stands out in contrast to the driving tempos and guitar crunch dominating most tunes. I’m also impressed with the quality of the melodic progressions emanating from her guitar, as they start in familiar pop territory and get inverted and distended along the way. The rhythm section of Drew and Tony provide bright, strong textures, but without sounding rudimentary.

    Burn loses its way a bit when the band literally dips into cover band territory by performing renditions of “All Tomorrow’s Parties” (Velvet Underground) and “Only Shallow” (My Bloody Valentine). Sure, they’re good versions of those classic cuts, but they take me out of the pacing and flow the group created with its own music.

    I like the swagger and energy of Rocket 3 - it’s never over-the-top, but instead captures a band making straightforward rock music with an outside-the-box mentality. Standout tracks like “Fate,”  “Never Again,” “Ride,” and “We Believe” showcase the band’s ability to take retro sensibilities  and update them with off-kilter styling. Thus, while the trio certainly isn’t cutting edge, they are making fun music inspired by bands that I like, and sometimes that’s exactly what I want and need to hear.


    Music video with Renegade Roller Derby:  

    Rocket 3 music websites:

    Rick Hart’s Album, Spiral, tells a story of love and heart break with a soft rock country style. Although these country tunes might give you the blues, his songs, "Mess I’m In" & "Hummingbird", will inspire you to get up and dance around regardless. This, “love sucks, but I can’t get enough” vibe is accented with peppy piano intros and pleasant guitar solos. 

    My favorite is "Hummingbird" because I thought I was listening to John Mayer, but Rick’s smooth-rich voice made it an original. Second favorite is "Mess I'm In".. I found myself reflex tapping my feet to the beat. Best line is, "Is it wrong to assume, with all of its perfections, love can conquer and consume.” 

    All together, Spiral is fit for easy listening, and thanks to the more cliche and repetitive lyrics Rick uses, you’ll find yourself singing along in no time. 

    For Fans Of: Van Morrison, Bob Dylan, John Mayer
    RATING 7.5/10  - Melody Miles




  • Blue Skies For Black Hearts drops their first single “It’s Gone On Too Long” FOR FREE and releases the video never seen before RIGHT NOW.

    “It's Gone On Too Long” was inspired by the songwriting of Smokey Robinson.  It was written around the idea of having call and response vocals between the lead and backups.  The video was born out of an idea that Kevin Hanzlik, the director, had about showing the day to day struggles of being in a band - getting your gear to a show, having an unenthusiastic audience, struggles between band members.  Kevin's story was similar in some ways to a short story I had written a year or two earlier.  I showed Kevin my short story about a group of musicians working a day job as painters.  They paint a house for a musician who has had some success but they end up not finishing the painting because of being distracted by the instruments in the house.  Eventually, the painters take on the successful musician's instruments.  They flourish while the home owner's creativity and abilities whither.  In my story, once the painters are successful, another musician comes along and plays the instruments they acquired, stealing their success.  Kevin combined both of our ideas into the video for It's Gone On Too Long.  Blue Skies engineer, Mark Brachmann, plays the record producer.  Chip Mabry, esteemed documentary producer, plays the record exec. And Peter Hughes, guitarist for Sons of Huns, plays the OSPIRG volunteer who steels the musical talent in the end from The Painters. – Pat Kearns



  • Portland's Vortex Music Mag to Publish Issue #1

    Vortex Music Magazine is raising $10,000 to print more than 10,000 copies of our first issue, which will hit Portland streets this May.

    More Portlanders go out to see live music each night than anywhere else in the U.S.—according to Pollstar—which speaks volumes about our collective interest and investment in the Portland music scene.
    When the eyes of the world are watching and consuming the craft and culture of Portland more than ever before, why is it that we don’t have a publication solely dedicated to our music scene?
    This is why Chris Young (co-founder and Managing Editor of Oregon Music News) and David Mosher (musician and owner of Art Media retail stores for 37 years) have spent more than a year planning and building Vortex Music Magazine from the ground up. With a goal to publish a high-quality print magazine six times per year, Vortex Music Magazine will focus on thoughtfully exploring Portland’s music scene. Covering aspects and angles often untouched by other media outlets, we aim to tell the stories of the culture, creators, educators and businesses that support our thriving music scene as well as the history behind it all.
    Our hard work is already visible on our recently launched websitevrtxmag.com, where you can find content created by our team of local writers, designers and staff.
    Now, we need your help to print the debut issue of Vortex Music Magazine, which will hit streets this May.

    We are asking for $10,000 to design, print and distribute our first issue.

    Every dollar we raise beyond our goal will help ensure future issues of Vortex Music Magazine.
    If you’re reading this, it’s obvious that music matters to you. We believe we are all in this together, and we will strive to make the Portland music scene more successful by making it more accessible. Because the vibrant music community and culture that is alive in Portland today deserves to prosper.
    Having your support, as well as the support of the Portland musicians and businesses listed below, is what will make Vortex Music Magazine successful right from the start.
    Plus, support is not without its rewards: Take a look at our rewards to find out how we can thank you for your backing.



  • CD REVIEW: Rusty Boxx's EP "Scattered Keeses"

    This may just be me, but listening to Rusty Boxx for the first time is sort of like when you hear a Bon Iver song for the first time and it feels like he is singing in a language that is foreign to you by definition but you completely feel for what his meaning is-- then as you listen again and get beyond the emotion of the music and you comprehend the lyrics, and the meaning behind those lyrics, it becomes even more beautiful and wonderful. (And even if you don't ever comprehend, or you don't like what you hear when you comprehend, you can just revert your ears to back to foreign language mode and simply enjoy the implied and musically created emotions.)

    Rusty Boxx's EP, "Scattered Keeses," is full of both vocal and guitar harmonies that will squish your heart in a really great way. There is nothing I would love more than to hear these harmonies performed live, in an intimate venue, where everyone present feels wrapped in the the music and it's almost as if the audience has a part in creating the music too. If you're a fan of fantastic folk groups that perform with two guitars and swirling harmonies, I highly recommend The Milk Carton Kids-- they will squish your heart too. 

    Start with Rusty, Ellen, and the two Chris' band, Rusty Boxx, first though. They are a tight little group, with tons of the aforementioned beautiful harmonies, wonderful stories rooted in Ellen's drawings, and a new EP "Scattered Keeses," releasing March 31, 2014 on Oh Mercy! Records. 

    Anna Leuning